Tag Archives: Movies

[REVIEW] The Purge

The PurgeThere’s something you should know about me before we get heavily into this review, as I think it’s important to note in the context of a movie like The Purge: I’m terrified of home invasion. In fact, I’m so terrified of home invasion that I have frequent nightmares about it. They can be as simple as a recurrent moment where I’m struggling to hold the front door shut against someone trying to push in from the outside, or as complex as a full-blown home-invasion scenario where I’m fighting for my life and my family’s lives with what few weapons we have at our disposal in this house. Since I don’t own guns, that generally boils down to knives, and I’ve had some truly gruesome and painful dreams involving stabbing and being stabbed.

It’s not that I live in an area where this sort of thing is common. Crime where I live is relatively mild, despite the odd Peeping Tom or murder or what have you. You’re far more likely to run across a drunk driver than a home invader. Yet the fear lingers, and anytime I watch a movie like The Purge, I’m thrust headlong into the dark cavern of my own terror. You might even think that my seeing a movie like this one is masochistic, but I look at it as a way to build up my tolerance, like exposing oneself to ever-higher doses of poison.

The Purge is set in 2022 in an America reborn into greatness. Crime is virtually unheard of, unemployment is about one percent and the economy is strong. Or, at least, the economy is strong for a certain segment of the public, just as it is today. The richer get richer. The poor get screwed. In that respect, nothing has changed.

How did this new age come to be? Well, after a quadruple-dip recession and a catastrophic bank collapse, among other things, the United States government was essentially hijacked by a group called the New Founding Fathers, who fashioned the country into a right-wing paradise. Hence the rich getting richer part, not to mention the poor and their exploitation. And one of their most radical ideas is the Purge, an annual event where, for twelve hours, all laws are suspended. For that period of time, seven in the evening to seven in the morning, a person can do anything he or she wants without legal repercussion. The police aren’t out there helping out (and might even be participating in the orgy of crime) and there are no ambulances or fire department vehicles.

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[REVIEW] Carriers

CarriersThere’s a blog entry I wrote way back in April of 2012 about the show, Doomsday Preppers. It’s titled, simply enough, “Thoughts on Doomsday Preppers,” and in it I discuss the fact that I think the people featured on the show are mentally ill. Much like Hoarders, which is a show that preys upon the severely disturbed for the entertainment of millions, Doomsday Preppers allows us to look at the delusional state these “preppers” have manufactured around themselves.

What are the preppers worried about? Nonsense, pretty much. Global financial collapse, invasion by the Chinese, an offensive EMP blast that takes out all of the United States’ electronics, a sudden polar shift… whatever. It doesn’t matter if any of this is possible or even likely, because it’s really just an excuse to stockpile food and water and (of course) weapons. Preppers love guns. A gun is a solution to all their ills, and they can hardly contain their glee at the idea of deploying lethal force against their neighbors. Like I said: sick in the head.

My wife and I aren’t preppers, but we have a fondness for apocalyptic scenarios. The truth is far more likely that one is going to befall a lengthy power outage, or maybe a hurricane or tornado will tear through your town, than any of the global calamities these preppers love to fantasize about, so prepping isn’t necessarily a dumb thing to do and is actually a little smart when taken in moderation. The problem comes when one is absolutely convinced that THE END is coming. But in some small way my wife and I can understand the fascination, because it’s so unthinkable.

Anyway, we don’t spend too much time cogitating on the consequences of hyperinflation or whatever BS the preppers worry about. We prefer things like nuclear annihilation, global pandemic and, of course, the zombie apocalypse. Recently we both watched and enjoyed the movie, Contagion, which is about a deadly, incurable plague. So we thought something else in the same vein would likewise be enjoyable. Enter Carriers.

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Remembering Tony

Tony ScottIt’s been nine months and eleven days since director Tony Scott committed suicide. You may recall the entry I wrote when I heard the news, and if not you can click through and read it now. I’m afraid I’m going to go over some of the same ground today as I did then, so I apologize for the repetition.

Anyway, I own a red cap. I wear it whenever I go outside. This may not seem like anything important to you, or even relevant to what I’m writing about now, but it is and I’ll explain. Tony Scott was famous for always wearing a red ball cap wherever he went. The caps switched out now and again, but they all seemed to be battered and sun-blasted. Maybe he had them custom-distressed that way. Who knows. My cap looks very similar. I wear this cap because of Tony Scott.

I never met Tony Scott. I never exchanged emails with him. I don’t think I’ve even watched an interview where he spoke. I’ve never listened to a director’s commentary he’s done. Almost the entire sum total that I know of Tony Scott comes directly from watching his movies. It’s about as pure an artist-knowing-artist relationship as I’ve ever had. The man himself has always been and will remain a mystery to me, especially when it comes to his suicide. I will, however, always have a dialogue with his films, and perhaps that’s the very best way to know him.

When I first started writing crime fiction, I had in my mind the images created by Tony Scott in his crime-related films. I’ve said before, and I’ll say again, that I believe Man on Fire is one of the very best crime films ever made. It’s visually stunning, a painting in motion, and contains amazing performances. Its story is raw and uncompromising. In this last respect it’s very much similar to another of my favorite crime films, Revenge.

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[REVIEW] Iron Man 2

Iron Man 2I don’t want to strike a hipster pose, but I can lay claim to being “into” Iron Man before Iron Man was cool. Back when I was a little kid — I’m talking single digits here, folks — I would occasionally receive ten or fifteen cents to spend at the local ice house on a comic book. I bought different things, but I was especially fond of Iron Man, and one of my favorite comics from that period was an issue where Iron Man designs a stealth version of his armor, all in black with no weapons, and must do battle without all his usual protections. Good stuff even now.

Eventually I’d gravitate more toward the X-Men, as most of us did back then, but Iron Man remained close to my heart. It didn’t even occur to me that Iron Man and his alter-ego, Tony Stark, were actually Marvel’s version of Batman and Bruce Wayne. Think about it for a minute: billionaire playboy decides to take on superhero identity in order to battle crime? Exactly the same. Sure, Batman’s always been a touch more messed up in the head, but Tony Stark had his demons, too, especially when it came to drinking.

Anyway, when Iron Man hit the theaters I was there in a big way. I didn’t expect much, despite some promising trailers, and I certainly didn’t think the movie would become a monster hit, but it turned out to be a pitch-perfect Iron Man movie filled with humor, action and even the tiniest bit of romance. I thought it was just great, and I wasn’t alone. Which means only one thing in Hollywood terms: sequel.

I don’t think anyone at Marvel thought Iron Man would hit like it did, and unfortunately that does show in Iron Man 2, the sequel everyone clamored for. It’s not a bad movie by any stretch of the imagination, but it is a lackluster one, all the more disappointing because Iron Man was so darned good.

Iron Man 2 picks up just a scant six months after the events of the original film (two years passed in real life), and thanks to Iron Man’s actions around the world, it appears that the forces of injustice and terror are on the run. I say “appears” because there’s never a single example advanced by the screenplay to demonstrate just how, in the words of Tony Stark, Iron Man has “privatized world peace.” We’re simply supposed to take it as read.

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